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勸善金科 第一本卷上
第一齣 樂春臺開宗明義 魚模韻
借問臺上的、今日搬演誰家故事、
搬演目連救母、勸善金科
這本傳奇、原編的不過傅門一家良善、念佛持齋、㝠府輪廻、刀山劍樹、善者未足起發人之善心、惡者不足懲創人之惡志、 當今萬歲、憫赤子之癡迷、借傀儡爲刑賞、曲證源流、懸慧燈於腕底、兼羅今古、駕寶筏於毫端、刪舊補新、從俚入雅、 02v 善報惡報、神栽培傾覆之權、去驕去淫、凜惡盈損滿之戒、世際昇平、時逢大賚、笙歌廣幕、洽萬姓之歡心、絃管鈞天、同四方之樂事、 使天下的愚夫愚婦、看了這本傳奇、人人曉得忠君王、孝父母、敬尊長、去貪淫、戒之在心、守之在志、上臨之以天鑑、下察之以地祗、 明有刑法相繫、暗有鬼神相隨、出處語㸃、天地皆知、天不可欺、惟正可守、日中則昃、月盈則虧、善報惡報、不昧毫釐、 可見世有不明之事、天無不報之條、借此引人、獻出良心、把那 03r 奸邪淫貪的念頭、一塲氷冷、如雪入洪爐、不㸃自化、沛茲甘澤、覆以慈雲、人能警醒、自獲嘉祥、 臺下的不要把來當艷舞新聲、尋常觀聽過了、
勸善金科 第一本卷上
第二齣 勅天使問俗觀風 齊微韻
吾乃三台北斗星君是也、爲陰陽之元本、作天地之樞機、含瑞彩而麗天、昭明多慶、煥神光而垂象、 兆應太平、操巡查善惡之權、秉稽察忠奸之政、堪歎那閻浮界衆生、所作所爲、無一不是造業造罪之事、 豈知大圓鏡纖毫不爽、定盤星絲忽無差、已曾相召巡察諸神、并各省 05v 城隍土地、待其到來再當面諭一番、正是秉鑑持衡同訪察、上天下地㮣知聞
三台北斗星君在上、衆採訪使者叅見、
諸位尊神少禮、
小神等遵奉星君法諭、 06r 遍察下界之人、無奈迷而不悟、作惡造罪者多、樂善信心者少、不知還當作何懲誡、
此後下界之人、倘是仍然怙惡不悛、爾諸神須是無容無隱、詳悉報呈、
謹遵法諭、
想那塵世人民、好生愚昧也、
小神等叅見星君、
諸神少禮、
星君相召我 07r 等、不識有何法旨、
爾諸神巡察塵凡、自當丕昭顯應、聿申警戒、使那愚夫愚婦、改惡從善、永爲盛世良民、不亦善乎、
星君憫世之心、如此肫誠懇切、小神等自當仰體而行、
可憐那塵世愚民、好無分曉也、
星君在上、各路城隍叅禮、
諸神巡查善惡、赫施報應、固爲當分之事、但將來有一二亂臣賊子、盜弄兵戈、殘害黎庶、 爾諸神各有民社之寄、須當力爲保護山川民物、以俟昇平、
謹遵法諭、
且聽我道來、
星君在上、各路土司叅見、
爾衆土司、各於本境內、保護人民、暗佑疆土、毋得有違、
謹遵法旨、
爾等諸神、每逢月朢月晦之期、將所察之善惡、呈報詳明、或當生前速報、或當死後果償、那時再爲定奪施行、
又聞得王舍城中傅相、夫妻父子、長齋禮佛、多行善事、累積陰功、爾諸神當再加細詳察、如果有其事、當奏聞上帝、以邀寵錫、
謹遵星君法旨、
哩拉蓮。拉蓮哩蓮。哩拉蓮。拉哩拉蓮。哩拉蓮。拉哩蓮。
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This is a facsimile and transcription of Quan shan jin ke : 20 juan, 240 chu, juan shou 1 juan.. It is held by Harvard-Yenching Library (shelf mark T 5690 4286).
The transcription was encoded in TEI P5 XML by Mei Yi Lau and Ming Tak Ted Hui.
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Publication: Taylor Institution Library, one of the Bodleian Libraries of the University of Oxford, 2020. XML files are available for download under a Creative Commons Attribution-ShareAlike 4.0 International License .Images are reproduced from https://iiif.lib.harvard.edu/manifests/view/drs:52225269$1i
Source edition
張照, 1691-1745. Zhang, Zhao, 1691-1745 . Quan shan jin ke : 20 juan, 240 chu, juan shou 1 juan [China] : Nei fu, Qing Qianlong, [i.e. between 1736 and 1795]Editorial principles
Created by encoding transcription from printed text.
The transcribed text follows the layout and the original punctuations of the eighteenth-century manuscript.
The selected two scenes are taken from an eighteenth-century manuscript edition of the Chinese court play Quanshan jinke 勸善金科 (Golden Register for Promoting Goodness). Emperor Qianlong (r. 1736-95) ordered Zhang Zhao to compile this grand drama (daxi) with ritual elements from Buddhist and Daoist traditions.
This is part of the TEXTCOURT Project attempt at creating a TEI-encoded digital edition of the play. TEXTCOURT: Linking the Textual Worlds of Chinese Court Theater, ca. 1600-1800 is a five-year research project led by Professor Tian Yuan Tan (Shaw Professor of Chinese at the University of Oxford) , aiming to build a digital archive of Chinese court drama scripts in order to establish and explore links among the textual worlds of Chinese court drama. This project has received funding from the European Research Council (ERC) under the European Union’s Horizon 2020 research and innovation programme (grant agreement No. 819953).
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