Folio 11Folio 1ἅπανθ᾽ μακρὸς κἀναρίθμητος χρόνος φύει τ᾽ ἄδηλα καὶ φανέντα κρύπτεται : κοὐκ ἔστ᾽ ἄελπτον οὐδέν , ἀλλ᾽ ἁλίσκεται χὠ δεινὸς ὅρκος χαἰ περισκελει̂ς φρένες . Sophocles : Ajax 646In the Name of Time . A Tragedy Folio 2πολλά βροτοίς έστιν έδουσιν γνώναι . πρίν ιδείν δ ' , ουδείς μάντις των μελλόντων , ό τι πράξει . * Sophocles Ajax 646 ( 442 BC ) Line 646 from Ajax ( 442 BCE ) by Sophocles . Bradley and Cooper studied ancient Greek and a note in Cooper's hand in MSS. Eng . poet . d. 109 has the following translation :
Everywhere long and measureless Time
Brings to light what is secret + hides the apparent .
Neither is there the unexpected , but
The terrible oath + the stubborn minds one conquered . (   5 )
The first edition of In the Name of Time ( Poetry Bookshop : 1919 ) edited by Thomas Sturge Moore uses R.C. Trevelyan's 1919 translation of Ajax :
All things the long and countless lapse of time
Brings forth , displays , then hides once more in gloom .
Nought is too strange to look for ; but the event
May mock the sternest oath , the firmest will .
Sophocles Ajax 1390 : Many things , I tell you , can be known through mortal eyes ; but before he sees it happening , no one can foretell the future , or what his fate will be . Another of Cooper's handwritten notes , ' Points of Likeness between Carloman and Ajax ' , reads : ' As Athena blinds and deludes her victim , it seems to Carloman that God blinds + deludes + humiliates him . The successful rival , the Odysseus , is Pepin -- the moral favourite of Heaven [ emphasis hers ] ; while the burning idealist is left to perish excommunicate ' ( 6 ) .
In the Name of Time [ Winter's Tale IV Cho. ] * William Shakespeare Winter's Tale ( 1623 ) . The full sentence spoken by the Chorus named Time in lines 1-4 reads : I , that please some , try all , both joy and terror Of good and bad , that makes and unfolds error , Now take upon me , in the name of Time , To use my wings ( 4 . 1 . 1-4 ) . Folio 3ἅπανθ᾽ μακρὸς κἀναρίθμητος χρόνος φύει τ᾽ ἄδηλα καὶ φανέντα κρύπτεται : κοὐκ ἔστ᾽ ἄελπτον οὐδέν , ἀλλ᾽ ἁλίσκεται χὠ δεινὸς ὅρκος χαἰ περισκελει̂ς φρένες . Sophocles -- Ajax 646 * Sophocles Ajax 646 ( 442 BC ) Line 646 from Ajax ( 442 BCE ) by Sophocles . Bradley and Cooper studied ancient Greek and a note in Cooper's hand in MSS. Eng . poet . d. 109 has the following translation :
Everywhere long and measureless Time
Brings to light what is secret + hides the apparent .
Neither is there the unexpected , but
The terrible oath + the stubborn minds one conquered . (   5 )
The first edition of In the Name of Time ( Poetry Bookshop : 1919 ) edited by Thomas Sturge Moore uses R.C. Trevelyan's 1919 translation of Ajax :
All things the long and countless lapse of time
Brings forth , displays , then hides once more in gloom .
Nought is too strange to look for ; but the event
May mock the sternest oath , the firmest will .
Another of Cooper's handwritten notes , ' Points of Likeness between Carloman and Ajax ' , reads : ' As Athena blinds and deludes her victim , it seems to Carloman that God blinds + deludes + humiliates him . The successful rival , the Odysseus , is Pepin -- the moral favourite of Heaven [ emphasis hers ] ; while the burning idealist is left to perish excommunicate ' ( 6 ) .
Folio 2 2Folio 4

PersonsPersons

Folio 5

Act I * MSS. Eng . poet . d. 108 calls Act I ' The Defiance of Time . This manuscript also has Field's scene design sketches for each of the five acts .

Scene Design : Act I

Photo: Bodleian Library [MSS. Eng. poet. d. 108]Photo: Bodleian Library [MSS. Eng. poet. d. 108]
[Photo: Bodleian Library [MSS. Eng. poet. d. 108]]

Folio 3I Onward . Folio 1Folio 6 1.

Act I Scene 1Scene

Carloman*   ' Carloman ' Rensselaer Polytechnic Institute ( 4 Sept 2012 ) . Carloman ( b. 715 CE-d . 754 CE ) , oldest son of Charles Martel and Chrotrude of Treves , and older brother to Pepin .
He said wwW ho laid His life down on the cross ,,:
* Jesus
So will I be a King . I will possess in sooth
The great Rrr eality . I war ++and   govern ,
I can strike hard asaslike as   Charles the Hammerer ;
* ' Charles " The Hammer " Martel ' , ( Rensselaer Polytechnic Institute : 4 Sept 2012 ) Charles Martel ( b. 688 CE-d . 741 CE ) Mayor of the Palace , the highest office in Frankish government ; a monarch who ruled over collection of kingdoms in the eighth century . Father of Carloman and Pepin . He was called ' The Hammer ' because of his relentless fighting and victory at the Battle of Tours ( 732 CE ) .
Men say I have my father's qualities ,
And in the brief months of my sovereignty
The infidelin fidelin fidel   has recognised my blood :
Have made the throne phantasmal . I have felt
In Zacharias * ' Saint Zacharias ' , ( Encyclopædia Britannica : 2020 ) Pope Zacharias ( b. 741 CE-d . 752 CE ) . ,,,   the great Pope ,,,   a forceforcepower force
That spreads ,,,   like spring across the world . No more
Will I be petty marshalmarshallmarshal l   to a crew
That hack + murder , while the royal faces
Of wandering mMm artyrs scintillate + thrill .
There is a glorious bBb etterness at work .
Amid the highways + the solitudes ;
I would be with it -- in obscurity ,
Folio 4 II No matter ! -- with the rrs river iver * ' Frankish Empire 481 to 814 ' , ( Wikipedia : 2007 ) Possibly the Rhône river , which runs through the mountains of the Alps. as it shapes
Its cistern in the hills , or where the wind
First draws its silver volumes to a voice :
Behind , at the beginning , from within !
Folio 2How shall I face himFolio 3
A cry , a prayerprayerpang -- what shall respond to it , Folio 7 2.
Who help me ? I have fiery thoughts of God ;;,
I would attempt Hh HH im ; i; i. I n the wilderness
* Matthew 4 : 1 , King James Version ( Bible Gateway : 2020 ) Matthew 4 : 1 : ' Then was Jesus led up of the Spirit into the wilderness to be tempted of the devil ' .
May beMay beMaybe   He will unbosom .
* ' Saint Boniface ' , ( Encyclopædia Britannica : 2020 ) Boniface ( b. ca. 675-d . 754 ) , an English missionary who became a Benedictine monk responsible for the spread of Christianity in Germany .
AttendantAttendantServant
Consul ,   the AaA rchbishop
Of Mentz would see you ..
* ' Where is Mainz , Germany ? ' ( World Atlas : 2015 ) Mentz is the former spelling of Mainz , a south-eastern region of of present-day Germany .
Carloman
My spirit leaps within me to be born ,
Beholding you .
Folio 4W. /Folio 5
Boniface
My son , the Holy Father
Receives you joyously .
Living , unscathed , to give Him everything
One has , to pour one's soul into His lap ,
To let Him play upon one as the wind ,
To feel His alternations ... !
Boniface
Carloman ,
Your childlike transport shall be surely blest ;blest ;blessed :
Yet in the convent there are bitter hours
Of exile from God's presence ----,   penances , -- * This might not be a dash , but part of the line from the comma strike-through
Boniface
The holy   brethren chauntchauntchant   in unison
About the cloister For hours within the chapel ; there is buzz
About the cloister like a hive of bees ,..
* 'A Brief History of the Benedictine Order ' , ( Order of Saint Benedictine : nd ) The Benedictine order was founded in 529CE after St. Benedict founded a monastery at Montecassino . It became the most popular monastic order during the Carolingian era .
There have been hermits ! Might I live alone ,
I could breathe unrepiningly the while
It pleased God to keep silence . I would tame
Some wistful , kingly beast to roam with me ,
And we would wait HHh H is pleasure . Boniface ,
Folio 6x Ere you renounced it . C. Scanned the heir of Clovis Drawn like a senseless idol in his car . You judge unworthily . God bade me come Up highe , to Him on a battlefield Where I was victor . it was in the night ; I moved about among my sleeping men I heard them shout for triumph in their dreams , It was enough . Yes , all is vanity The pride of life , of youth , even life itself There is no vanity in life , life utters ( with sudden passion ) W. Folio 7
And travelled ,--  for His sake a wayfarer ,--
Boniface
Thou speakest truth , my son ;, --;   there are some souls
Loved of the Lord as Paul in Araby
* Galatians 1 : 17 , King James Version ( Bible Gateway : 2020 ) The Apostle Paul writes in Galatians 1 : 17 : ' I did not go up to Jerusalem to see those who were apostles before I was , but I went into Arabia . Later I returned to Damascus ' .
With whom one must not meddle .,.   In good time
You will exalt the Church ::;   meanwhile your brother
Who has a tighter grip of circumstance
Than you
He is short-sighted , politic ,
External in his bent . I lead the charge
In battle , I forsee the combinations
Of foreign forces ::;   he is good at siegesiege ,sie r ge ,
And all the hectoring process of delay ;..
He is not like my father . That great fight
At Tours ----!   I feel the onslaught in my blood ;
* ' Battle of Tours ' , ( Encyclopædia Britannica : 2020 ) Reference to a battle fought for territorial and religious reasons between the Christo-Pagan Frankish Empire and the Muslim Umayyad Empire that took place between Poitiers and Tours in 732 CE . Charles Martels led the Frankish forces to victory , which consequently expanded the Frankish Empire's influence .
It never can run sluggish
Boniface
Had you seen
The heir of Clovis   King Chilperic's * ' Childeric III ' , ( Encyclopædia Britannica : 2020 ) Chilperic or Childeric III ( b?-d . 744 CE ) was placed on the throne by Carloman and Pepin in 741 CE during the unrest after Charles Martels death , while they gained power . In 751 CE Pepin deposed Chilperic and sent him into exile at a monastery . wreath eée d waggon in the streets !
You should have looked a last time on the world ,
Ere you renounced it . All is vanity
Boniface * Ecclesiastes 12 : 8 King James Version , ( Bible Gateway : 2020 ) ) vanitas is Latin for vanity . Boniface is probably quoting Ecclesiastes 12 : 8 , ' Vanity of vanities , saith the preacher ; all is vanity '
Carloman
Folio 8* Cooper's hand begins .
C. I would not be like you a messenger ;
They must be far from God who work His will
Can you not understand ? The daily bread
Is insufficient must have His thoughts ,
I faint beneath the burthen +the Joy .
* Cooper's hand ends and Bradley's hand continuesSee Whitebook* Probably refers to the white cover of MSS. Eng . poet . d. 108 , one of Field's notebooks for the play . Chief our separation . But , good archbishop , you will visit me , Within the convent Unless why you are flushing like a girl , Unless you win your martyrdom . not wanted Folio 9 Father , no Latin ! These are lies all through --
There is no vanity in life ,;;   life utters
Unsparing truth to us ,;, --   there is no marklineline
Or record of her   in our bod iesyy   of hernewher   printing
What makes thethisthe   show out in the streets so vile
Is that it blazons forth the lie that youthhonour youth ,youth ,
Kingship + power are in effectualin effectualineffectual .
A show of death whe ncer ncere   life should radiate
Is vanity . A; A a. A . And if I now fling off
The honourable titles of my state ,,
Consul ,,   + Patriarch , it is not because
I have not nobly borne them : by my sword
The ccC hurch ha sth ss   been defended , + the corn
*   ' corn ' , 3 , ( Merriam Webster : 2020 ) Grain , such as wheat .
That bows in shocks about your monasteries ,
Bows down above the battlefieldsbattlefieldsbattle fields   I won .
Boniface
( aside )   A sweep of piety
Folio 8 VI . Beyond my censure .( aside )! [ half-aside ] * The letters " ha " were written in black ink and then retraced in brown ink . . Will he thrive at Rome ?
Boniface
Let ;LetSet   your purpose forth .
At once , + let him freely misconceive .:
Pepin
Woden , what a s ceneceneight !
* ' Woden ' , ( Merriam Webster : 2020 ) Odin , Norse god of creation .
Will rid us of the calf . We pull together
* Exodus 32 , King James Version ( 2020 ) In Exodus 32 the Israelites worship a calf idol while Moses is on Mount Sinai receiving the Ten Commandments from God .
In right food sortpartpart , fraternal , taking pride
Each in the other's excellence ;;:   ere long
The Pope will pour his oil upon our heads
*   ' Simply Catholic ' ( 2020 ) The Catholic Church uses two oils for coronations , Oil of the Catechumens and the Holy Chrism .
To nourish our short curls .
Carloman
He has the power
Folio 11 VIII Of making kings ??
Folio 14
Wait till he seek us . Frankland is his hope
Against the Lombards . wait . and by + my e[?]
That something that we lack to give our strength
Supremacy --
Folio 15
Pepin
Liutbrand ,   the Lombard winced
* ' Liutprand ' , Encyclopædia Britannica ( 2020 ) Liutbrand , or Liutprand ( b. ?-d . 744 CE ) was king of Lombard in northern Italy and famous for his territorial expansion .
Before him , + resigned the exarchite
*   ' exarch ' , 2 , ( Merriam Webster : 2020 ) Misspelling of ' exarchate ' , the territory ruled by a Byzantine bishop .
And he who can unimpoverish maymaycan may   endow .
Pepin * ' Frankish Empire 481 to 814 ' , Wikipedia , ( 2007 ) Between 740-750 CE , Frankland consisted of much of western Europe .
Wait till he seek us as a suppliant , then
We twain canwill prwill pr   offer him our dutiful ,,
Strong swords , + keep S ..t.   Peter's realm intact ;
* In Matthew 16 Jesus gives his disciple Peter the keys to heaven .
While , inin, as   in return ,,   that gracious influence ,
That something that we lack to give our strength
Supremacy , shall be poured down on us .
Pepin
Are you clean gone mad ??!
Become a monk ! -- Y! Y y, y ou , c-- C, c C onsul , pPP atriarch !
Our mother had been Christian scarce a year
Before your birth ,,   + haply took the priest
Folio 12 IXFolio 16* Cooper's hand begins again .
Of pottage .
P Free at blows ! You go too far .
I loved you as a boy + set my teeth
Of pottage or .
* Cooper's hand ends and Bradley's hand continues .
Pepin Dam you !
But own it .
Give a fellow truth :
Don't muttle and demand apology .
You have our father's temper : that is the test !
Why should we part , when we have pulled together
In right good fashion soul . I loved you from a boy
And set my teeth
Against a rare , sweet craziness that took you
In certain moods . You need a keeper then
I know the secret , how to humour you
And weave your projects in my policy
Folio 17
Too much into her privacy . By Thor ......--
*   ' Thor ' , ( Merriam Webster : 2020 ) Thor , Norse god of thunder , weather , and crops .
Carloman
You own me son of Christendom's great guard ,
Ere you again draw unimperilled breath ..!
I , Carloman , your elder , the first-born
Of Charles Martel ,,   of my own choice renounce
My portion in his kingdomkingdomhonours . Own my birthright --,!
Pepin
Fie , fie ! GenevivaFie , fie , ) Geneviva * No historical record of Geneviva in the court of the Mayoralty or that Carloman ever married . She is the only female character in every manuscript version , except for MSS. Eng. poet . d. 109 which has a sketch ( in Bradley's hand ) of a scene depicting Carloman's life at the monastery , where two women , Clothilde and Jeanne of Cue wash clothes outside the cloister walls and mock Carloman for leaving ' his pretty wife ' ( 80 ) .
Pepin
.[ to Chilperic ]   Sire , you looklooklook   are   weary . May. May, yet   we crave the grace
Of a brief audience ??.
Chilperic
.
Business ! I can brook ,Folio 14 9
No more of these distractions . Your good brother
Relieves me of all business . I can hear
Scarcely the people's clamour when they shout ,
And I am shy at facing them . To know
There is a god indifferent to its whims
Gives the world courage of its natural awe ;,;
So I expose these curls ,--;   that duty done ,,
Chilperic
Of dignity ;--! --   but I applaud his sense :.:
The convent is a place for peace of mind ::;
One has no interruption , one may watch
The gold-fish in the fountain half a day ,
If so one will ; + ,,   though the prayers are long ,
One grows accustomed to them as to meals
And looks for their re ccs c urrence  [ turning to Carloman ]Folio 15 XII I
[ suspiciously ]   But , my Consul ,
With you it cannot be the luxury
Of doing nothing that attracts . F: f. F or us
It is the happy predestinedpre-destinedpredestined   lot ..;
But for an untamed youth whose pleasures  lie stillstillstill
Are running in the current of his blood ,,
Such choice is of ill-omen .
Carloman
Courage , sire ,
Is constant industry  towardtowardfor   happiness .
When I become a monk --
Chilperic
Nay , no confession ,
No putting reasons to your  overlordover lordOverlord .
We  leavegiveleave   you  a thisa stout leader for your wars
,Folio 24
Why this is a mere pageant + a masqué
A slow , decrepit , dolorous old man
Who has no sight of Heaven , is imbecile
And dropping into clay . I will not let
This show dishearten me . God beckoned Moses
Up to the Holy Mount , a simpleton [ called
Had climbed there +learnt nothing , one is
Of one divines while yet a great way off
The carnage , the burthen of the Heavenly voice . --
[ enter Geneviva
II And here is Geneviva
Now I can be alone , sole preparation
The soul can make when she would be with God ,
The cloistral peace ; -- and all this vanity
Removed
( enter Geneviva )
Does Geneviva come now ?
III
And for this folly , I must see my choice
Rated with his ! I cannot bear the shame ,
The vile comparison . I cannot bear the shame + I will escape
At once , in silence , without taking leave .
Who has no clinging hope to meet again
Should never say farewell . My exaltation ,
My joy is the certainty that time
Will never draw me back to any wish ,
To any fondness I am flinging off --
Folio 25* The following nine lines of verse are in Cooper's hand and written on a smaller piece of paper glued as a flap over the first nine lines of verse on that page ( in Bradley's hand ) .
He has no sight of God , is unbeate ;
And dropping into clay . I should not am dismissed
By this old dotard with a sigh
Of envy who forg x [?] o the battlefield ,
The council-chamber , the sweet clang ( arms
For just a pricking wonder army heart .
A knowledge I would give to secrecy ,
Plunging And plunge ~ headlong in the Ear of God .
Am I not chosen ? As the hidden spring
Folio 26,
( to Carloman ]( to Carloman )[ to Carloman ]   And you , your liberty . What use of it
You make is of no moment to the world ,
And does not  rouserouseraise   my curiosity ,
Who for myself have found in meat + drink ,
In sleep , + long , long abstinence from care
The pleasure proper to me . Pepin , come !
Carloman
He has no sight of God , is imbecile
And dropping into clay !..   I should not let
This show dishearten me ; but I have suffered
A vulgar tongue to tell what from my lips Folio 16 XIII
Alone is truth ,;--   that as the hidden spring ,
Restless at  searchsearchtouch   of the diviner's rod ,
SoSoIs   dragged through to the surface by his spells ,
I am discovered + borne upward , made
The answer to some perilous appeal :;:  *
  Is Geneviva come to me
Geneviva
Now the dull monk has left you !!!   Raise your  head . Folio 17 XIVhead ;head !
I have been taking thought how best to trim
Folio 27
All is abandoned ... Geneviva here !
x You leave me lonely
Carloman You have seen
The new books of the missals , wonderful
With gold + crimson , in a corner quite[?]
Below the letters there is set a saint
Full of a deep , new beauty . You may note
How all the world seems new ... the things that crowd
Upon the plantain have a perfect life
Folio 28
My beauty for you . Boniface was slow
In giving counsel ,,;   slowly I took up ,
Handled , + dropt my jewels . Of a sudden ,
When Pepin's voice was heart upon the stair , Folio 17 11.
( With haste )   Thus , hasty on my bosom . Come to me ..,
xxxx[?] My lord , you owe me many hours of love ,
In vain . You do not see me when I singin the choirwhen I sing ,
You miss the marks of music in my face ,
fxxxx[?] You do not love the hunt , + you have never
xx[?] Ridden beside me in the morning light .
You see me but as now when I am vexed
And haughty for caresses .

About this text

Title: In the Name of Time. The Papers of Michael Field.
Author: Field, Michael
Edition: Taylor edition
Series: Taylor Editions: Manuscript
Editor: Edited by Elsa Kienberger.

Identification

Oxford, Bodleian Library, MS. Eng. Lett. e. 33

Contents

Papers of 'Michael Field', arranged into five groups:

  • Correspondence of 'Michael Field', 1867-1926
  • Drafts, manuscripts and proofs of their plays, a few in prose (which are unpublished), the majority in verse, c. 1874-1918
  • Drafts and manuscripts of their verse, 1861-1912
  • Miscellaneous papers, mainly of personal and biographical interest, 1832-1924
  • Later papers relating to 'Michael Field', 1890-1970

History

1832-1970.

About this edition

This is a born-digital scholarly edition of the first half of Act I of Michael Field's verse drama In the Name of Time from the Papers of Michael Field. Shelf mark: MSS. Eng. poet. c. 36 and MSS. Eng. poet. d. 110 Katherine Bradley (b.1846-d.1914) and Emma Cooper (b.1862-d.1913) wrote together under the pseudonym Michael Field. Literary- and life-partners, the couple published verse dramas and collections of poetry between the years 1881 and 1913. Their will donated all of their writing materials, including journals and unpublished works, including In the Name of Time to the Bodleian Libraries, British Library, and the Fitzwilliam Museum. Thomas Sturge Moore, their literary executor published this play in 1919 under their posthumous directive along with an edition of parts of their journals. This is the first new edition of any part of the play since its first public appearance 101 years ago. The transcription was encoded in TEI P5 XML by Elsa Kienberger.

Availability

Publication: Taylor Institution Library, one of the Bodleian Libraries of the University of Oxford, 2020. XML files are available for download under a Creative Commons Attribution-ShareAlike 4.0 International License . Images are available for download under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License .

ORA download

Source edition

. In the Name of Time.  The Papers of Michael Field.  Oxford, Bodleian Library, MS. Eng. poet. d. 206, MSS. Eng. poet. c. 36, MSS. Eng. poet. d. 110, MSS. Eng. poet. d. 109, MSS. Eng. poet. d. 108

Editorial principles

Created by encoding transcriptions from manuscripts and compiling them into an edition.

Treatment of the base text:

I. Manuscripts and Versioning History

  • MSS. Eng. poet. d. 110 contains two versions of Act I of In the Name of Time , which I have labeled 110a and 110b to distinguish between the earlier and later version respectively
  • MSS. Eng. poet. d. 109 also contains versions of Act I. I have not included this version in my transcriptions or genetic edition because Michael Field explicitly writes at the end of the first version ' Not to be printed'. I have also intentionally excluded loose papers belonging to another version of the first pages of Act I that were glued to the end pages of the MSS. Eng. poet. d. 110 notebook.
  • Bradley and Cooper take turns writing, transcribing, and editing versions of the play. Bradley's handwriting is large and loopy, whereas Cooper's is smaller and does not interlock as much. MSS. Eng. poet. d. 110a is written entirely in Bradley's hand, MSS. Eng. poet. c. 36 is written entirely in Cooper's hand, and MSS. Eng. poet. d. 110b is written in Bradley's hand with Cooper's notes. Footnotes in the MSS. Eng. poet. d. 110b transcription indicate when the hand changes.
  • Black lettering indicates black ink, red lettering indicates brown ink, gray lettering indicates pencil, and blue hyperlinks indicate syntax, word, and sentence differences between manuscript versions.

II. Spelling and Syntax

  • Epsilon (ε) usage standardized to e
  • Overwritten text cannot be displayed through XML mark-up and have been replaced with deletions in this file. Below are the instances of overwrites in MSS. Eng. poet. c. 36 (not present in other versions) with the letter overwritten in parantheses:
    • - (s)river [folio p. 6]
    • (h)His [folio p. 7]
    • a(r)rested [folio p. 9]
    • (c)Consul [folio p. 11]
    • (o)Own [folio p. 11]
  • Em dashes are not possible in XML mark-up and have been replaced with two en dashes
  • MSS. Eng. poet. c. 36 has extra spaces between words and punctuation. For example: 'So will I be , a king .' instead of 'So will I be, a king.'. As a fair copy, the intention behind the increased space (not present in MSS. Eng. poet. d. 110a and MSS. Eng. poet. d. 110b) might be an effort to increase comprehension for the printing process, so that typesetters can easily distinguish punctuation. Since we can never know the authorial intention, these spaces should be recorded in a responsible transcription. Due to the time constraints of this project, however, I minimized coding the individual choices between manuscripts by removing the spaces around the punctuation in MSS. Eng. poet. c. 36. Please see images of this MSS for an accurate representation of Michael Field's concept of space on the page.

III. Defining the Act

  • Due to the time constraints of this edition, I have only transcribed until Geneviva's first monologue in each of the versions. Not only is this location roughly halfway through the first act regardless of the version, it gives readers the chance to read a female character.

This edition would not be possible without the help and guidance of the professors and administrators at the University of Oxford and the transcendent work of Michael Field. I am entirely responsible for any errors or mistakes in this edition.